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Charity number: 1077161
Company number: 3724349
The Blue Elephant should be on every theatre goer's map
I close my eyes and think back to the days when I used to stuff my face with mum’s spaghetti bolognese and I loved it, tomato juice dripping all down my chin.
Shez is passionate about strawberry starbursts, her mum’s cooking and her boyfriend’s prickly face.
But when her life seems to slip out of control, she finds herself choosing between the food she loves and the people she cares about, never suspecting that this will become a matter of life and death.
Strawberry Starburst is a heartfelt and poignant new drama about one girl’s battle with her demons…and the lengths she’ll go to fight them.
"The playwright Bram Davidovich has taken extraordinary steps to carry out extensive research into the characters of this play [and] put the utmost effort into ensuring the extreme, raw, emotional rollercoaster of experiencing Anorexia Nervosa is portrayed"
Dr Jessica McClelland and Samantha Rennalls, Institute of Psychiatry, Psychology & Neuroscience, King's College London
Recommended for ages 14+ as there is strong content. Contact the theatre on 02077010100 if you would like further details.
There will be a post show discussion on Friday, 20th May.
Séverine A. Raynaud (1985, France) is a Fine Art portrait photographer.
With a conceptual and symbolic approach, she asks question about the artist's place in the modern society, and challenges the viewer to think about his own.
Influenced by folklore (Celtic, Native American, Asian) and movies (Tim Burton, Hayao Miyazaki) she places her lonely characters (often masked) in enchanted surreal backgrounds and situations. Despite looking dark and moody her artworks are talking about hope, and how finding light in darkness.
"Storytellers transported me as a child into dangerous and enchanted worlds, I remember how I was wondering about how often a nobody could become a hero. There were my favorite stories. I would like to establish the same kind of connection with the viewers through my photography."
Séverine A. Raynaud is currently working and living in London.
The exhibition is open is open to the public before and after our shows and by appointment Mondays to Fridays.
An enchanted island in the middle of the ocean and the storm to end all storms, The Tempest in a Teacup re-imagines Shakespeare’s fantastical play for a young audience. We open Prospero’s spell book and out fly the most marvellous creatures. This is a story where fairies are conjured from thin air and books fly like butterflies around the room. Follow the play’s magical characters as they explore the island and find out what happens when strangers are washed onto their land.
This is a playful and interactive adventure using puppetry and storytelling, transporting the audience to this magical island in the middle of the ocean where wondrous things can happen.
Perfect for ages 5+
Blue Cloud Scratch is an exciting new dance scratch night curated by Blue Elephant Theatre and Cloud Dance Festival. Blue Cloud Scratch aims to encourage and provide emerging dance artists with opportunities to present their works in progress and receive feedback from audiences and peers.
This is the second Blue Cloud Scratch following our first successful night in March.
For more about the Blue Cloud Scratch and Cloud Dance Festival, click here.
The running time of Blue Cloud Scratch is approxiamtely 2 hours, including an interval and Q&As with the choreographers.
Oom-pah oom-pah is a duet born out of experimentation with two dance genres; contemporary and Argentine tango. The two have very different, quite opposite concepts of femininity: tango with its idiosyncratic idea of sensuality, and contemporary dance with its unisex, androgynous approach to movement. Sometimes these concepts or norms get taken to extremes and become cliched. Masha Gurina and Savina Casarin were curious to see what happens if you relax certain rules present in both genres and let go of our own idea of how we (the performers) should come across.
CON-TACTO is a work in progress investigating the intimacy of touch. This is a conversation of movement between two performers, who listen, respond and propose through the perception of the others touch. This relationship starts from tentative beginnings, but finds organic flow, weight and rhythm for a true dialogue to emerge. The touch is longed for yet feared at the same time, creating moments of tension and release.
Choreographer: Piedad Albarracin Seiquer
Performers: Piedad Albarracin Seiquer and Thomas Hands
Composer: Felipe Escalada
Piedad is a Contemporary Dance Artist and through her many years of training and performance, she is now focusing on her own practice. Influenced by her time working with such artists as Jose Adugdo, Estela Merlos and Saorin, Piedad has a articulate and highly energetic vocabulary. Her Spanish playful rhythms are entwined with grounded floor work and Risk taking partner work. Piedad’s non- narrative stories, from the work of poet Julio Cortazar, shows an insight into human connections, with strong imagery colouring the process
LonDOoM Is a gripping comedy about housing condition in the biggest European city. This performance describes the biggest nightmare of every Londoner - hunting for property to rent.
Choreographer: Zuzanna Pilat
Sisyphus's Wife premiered on 29.01.2016 at The Place as part of Resolution 2016.
Maria Ines Sousa and Adrian Look perform a duet telling a story of despair, purpose, choice and acceptance of fate; inspired by the 19th century Rückert poems about "Weltschmerz" and "The Myth of Sisyphus" by Albert Camus.
Dancers: Maria Ines Sousa and Adrian Look
Adrian Look is a freelance dance artist and lecturer for Tanztheater. He is also the artistic director and choreographer of London based T a n z t h e a t e r Adrian Look, founded in 2014.
Moving towards weight, the dance is engaged with taking up space and posturing, with building up and taking down. Dancers are angles and directions, masculine and feminine versions of themselves. Rough hewn geometries contrast with precise intersections of pointed feet and elbows. This dance for 3 women on pointe is approximately 10 minutes with soundscape including the voice of Donald Trump. It queries some of our ideas about what it means to make ballet.
Dancers: Michelle Buckley, Eloise Hymas, Karianne Andreasson
Keith’s first exhibition after leaving art school was of landscapes (1958). He moved to London as a member of the Free Painters and briefly produced abstracts before exploring the visual relationships between maps and landscape. He was a printmaker in the 1990s before moving on to make figurative ceramic sculptures and showing them with the London Potters. He moved to Camberwell in 2013 to a house with a studio, while still making ceramics, but struggled for direction.
Keith turned 81 in December 2015, and looking at children’s drawings, became inspired by their particular perceptive nature and in 2016 the creative surge has resulted in over 50 paintings and prints. This exhibition is a representative selection, as part of the 2016 Camberwell Arts Festival. It is open pre and post show and by appointment during the week.
Funny, tragic and ridiculous show about pregnancy, parenting and growing up.
Les Femmes Ridicule present an array of colourful characters, like the intimate baking and birthing TV chefs, the smug mothers who insist that they really do know it all, and the barmy historians imparting their knowledge and many more! Audiences are taken on a rollercoaster of emotions at this unforgettable ante-natal banquet. Les Femmes Ridicule play with their audience from beginning to end, walking a fine line between comedy and tragedy. The charming and grotesque duo tackle some of life’s unspoken paranoia and taboos in a hilarious and disturbing way!
"Brilliant, I was crying with laughter, we were howling! So good"
In March 2010 Marianne Jonson was found guilty of 23 counts of fraud at Harrow crown court and was sentenced to four and a half years in prison.
Told through first-hand interviews, court transcripts and extensive research, this verbatim play documents the story of a woman who led an extraordinary double life, conning the council out of a whopping £197,000 in fraudulent benefit claims.
Tickets are free but should be reserved in advance by emailing firstname.lastname@example.org
The yolk of the sun is yet to start melting down the horizon over the Sundarbans - the dense mangrove forest that spreads from the southern shores of Bangladesh to the easternmost corner of West Bengal. A ship, an oil tanker, appears on the river, breaking through the wisps of fog. The ship is slowly sinking.
Thick, dark-gilded liquid seeps from the hulk, approaching the Sundarbans like the jaws of a dragon to swallow it. It will claim everything, choking trees and animals alike in its sticky coils. Enraged by the dark tide, vengeful demons awake in the souls of the Sundarbans tigers, and they begin to feast on humans who venture into the forest. Who will save them?
This is the tale of Bonbibi, a girl left in the Sundarbans as a child and raised by the creatures of the forest. Trouble looms when the greed of humans threatens nature, and conflict between man and beast becomes inevitable. She must embark on a quest to restore the balance between the two, and save the forest.
Daughter of the Forest is an exciting and colourful adventure for all ages. Komola’s new family theatre piece creates the magical world of Bonbibi through puppetry, physical theatre and contemporary storytelling, with music by acclaimed British-Bengali band Khiyo.