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Past Programme |
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| June 2008 | ||||
| Mervyn Peake & His Art | ||||
| Mervyn Peake was a writer, artist, illustrator and a former tutor at Camberwell College of Arts. Best known for his Gormenghast trilogy, he also wrote poetry, short stories and plays for adults and children. | ||||
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Captain Slaughterboard Drops Anchor Reading and
art workshop for children (recommended age 5 – 11)
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Mervyn Peake: an illustrated talk Inspired by his father’s incredible collection of paintings, photographs and letters, Sebastian Peake provides an exclusive insight into one of the most creative minds of the 20th Century. |
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| part of CAMBERWELL ARTS FESTIVAL '08 | ||||
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| photos courtesy of the Estate of Mervyn Peake | ||||
| Pluto | ||||
| A new play about man's relentless struggle to define the world and beyond | ||||
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"Our heroes and our Gods, under scrutiny, have become dwarves.
Ad astra per aspera
(a rough road leads to the stars)
Director: Emily Agnew Sound Designer: Alfie Talman Cast: Matt Addis, Samantha Hopkins, Bill Hutchens & Ruth James |
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| May 2008 | ||||
| Out of Chaos | ||||
| by Temple Theatre | ||||
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Out of
Chaos re-imagines the tragic chorus and incorporates live music,
clowning and physical theatre in a devised piece that draws on the
international origins of the actors.
Director: Mike Tweddle
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| April - May 2008 | ||||
| Hide And Seek | ||||
| by Shift Theatre | ||||
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Set in the aftermath of environmental devastation, a woman scavenges amongst the ruins of the world she once knew. She discovers a baby and the things that matter the most become obvious as a result of the discovery. Is she still looking for hope? Can she find it? And more importantly - will she recognise it? Using movement, puppets and original music, this is a tragi-comic tale of hope and humanity in the most desperate of circumstances. Director: Tal Jakubowiczova Artists involved in the exhibition with their
interpretations of the relationship of man to the natural
world: Supported by The SPIRO ARK |
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| April 2008 | ||||
| Euripides' Hippolytus | ||||
| by Revolving Doors theatre | ||||
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A dynamic drama with strong,
contemporary issues regarding faith, family and taboo, explored using
wonderfully rich characters involved in a complex human story.
Queen Phaedra lies sick with incestuous
love for her stepson Hippolytus. Told of her passion by her faithful
nurse, Hippolytus rejects her. Pride, shame, lust, revenge, honour and
love interweave culminating in a progressively sharp web of lies and
unspoken truths that result only in death and tragedy.
Utilising the rhythm, images and
language of the text to layer the play with rich movement, music and song,
this new version draws out the elements of ritual and ceremony that are
inherent in Euripides’s text and structure.
Adapted & directed by Aaron paterson |
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| Springheeled 2008 | ||||
| Three evenings of dance & multimedia works that engage, entertain & inspire | ||||
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Riccardo Meneghini 'Carry on Tripping', Etta Ermini Dance Theatre 'Fixed Wheel', Evolving Motion, Cathy Seago 'Vanishing Point' Hagit Yakira 'Leah' Extracts of 'Fixed Wheel' by Etta Ermini Dance Theatre will be performed at: Cloud Dance Festival, Sunday 6 July 2008 at 8.20pm www.cloud-dance-festival.org.uk 08712 970 777 Big Dance, Monday 7 July 2008 11.24am www.southwark.gov.uk/bigdance
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| Suppored by ARTS COUNCIL ENGLAND | ||||
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| photo by Stergios Anestidis | ||||
| March 2008 | ||||
| Things I've Seen & Made by Age 30 | ||||
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Ben Hathaway studied at Camberwell College of Art, London College of Fashion and the London Metropolitan University. The exhibition includes Ben's collection of The Cat From Mars Pocket Cushions. |
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| Writers at Work | ||||
| Rehearsed readings by the writers and directors of tomorrow | ||||
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Closed
Circuit Closed Circuit deals with the macrocosmic issues of city life through the microcosm of a Writer: Sara Pascoe |
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| Strange
Land of Stars A family celebrates. A stranger arrives at the door. Claiming to have a message, will he bring peace and goodwill or is he a dangerous threat waiting for the right moment to blow them apart? And in a nation obsessed with security, are they putting themselves at risk by letting the unknown in? Strange Land of Stars asks: when do a country’s laws stop protecting its citizens and start persecuting them? A new play about a land not too
different from our own.
Writer: Emily Hunka |
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| The Dada Suicides Jacques Vaché, a friend of André Breton, acquired notoriety after he killed himself and a friend in
Writer: Afsaneh
Gray |
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| Golden Lads & Lasses Must London October 1998: Ted Hughes, the Poet Laureate, is dying of cancer. He slips in and out of consciousness, dreaming of Sylvia Plath, the one true love of his life, and the fateful weekend in 1963 when she committed suicide. Writer: Peter Lindley |
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The
Americans
Presented as part of Grey Light Productions' series of contemporary American writing, in conjunction with the New York Metropolitan Playhouse. One young man sitting alone in his room
writes a poem that in a moment of unexplainable magic causes his apartment
to explode. In another part of town another young man finds his windows
blown in by the blast. Downtown a third steps out onto the street to
find himself covered with white plaster.
With the identity of their hometown and of themselves under scrutiny, all three begin a search for the source of the disaster. Writer: Matthew Freeman (one of nytheatre.com's People of the Year 2004) |
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| Meet Me In The… | ||||
| An evening of collective arts selected by three female choreographers | ||||
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Marks That
Behold
Sylvia Ferreira Dance Company Marks that Behold has enticed and embodied the dark and light images of the Catholic religion. The work explores the dancers' and choreographer’s interpretation of those images. The piece does not attempt to make a statement about the religion: that is what the audience is there for… Director & Choreographer: Sylvia Dos Santos Ferreira |
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Bäzarre
Being Small Dance Being Small Dance’s latest work
is inspired by Lewis Carroll’s Alice’s Adventures in
Wonderland. First
performed at Abundance International Dance Festival in
Directors: Bruno Mathez, Lizzie Sells & Maria
Svensson |
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Six Litres of Air cupboarddances Six Litres of Air explores the
idea of breath as a rhythmic stimulus for movement and sound. It is a
collaboration between a dancer and a musician playing the electric
cello.
Choreographer: Katja Nyqvist |
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| Accompanied by an art exhibition by Alec Moors | ||||
| The Harbour | ||||
| by Limbik | ||||
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A child born as a fish; a woman trying to escape her past;
sailors lost at sea. Set in an unnamed harbour town, this bold new show
puts a contemporary spin on old stories of the sea, colliding a cast of
characters all searching for shelter in a world past redemption. Combining
elements of magic realism and the grotesque, the company uses the tools of
physical theatre, puppetry and live music to bring this darkly comic world
to life.
Director: Ben Samuels |
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| February 2008 | ||||
| Seneca's Oedipus | ||||
| A sharing of work in progress + post-show Q&A | ||||
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Adapted by Ted Hughes supported by GOETHE-INSTITUT LONDON |
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| December 2007 | ||||
| After They Left/ Rumpelstiltskin | ||||
| Two exciting and fresh pieces of dance theatre combining innovatively expressive movement with live electronic, instrumental, and environmental sounds created by award-winning composer John Chambers. | ||||
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SILVERSMITH DANCE COMPANY produces innovative and accessible dance theatre through artistic collaborations. The company’s work focuses upon human themes and narratives of a dark comedic nature, merging different movement styles with the theatrical to create thought-provoking contemporary work. |
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After They Left - A woman feels that her house and its memories are too painful, so she decides to move on... and live in her garden for a while. Come and peek over the fence as she is left to ponder on her loneliness, and indulge in her imagination and environment. | |||
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Rumpelstiltskin – this classic Grimm Brothers tale is re-told through dark physical imagery and atmospheric music. Two dancers and four musicians conjure a world of power, greed, and sinister magic. A world in which a living thing is more precious than any treasure. | |||
| November/December 2007 | ||||
| Pelleas & The Lady of Shalott | ||||
| Arthurian Legends by Revolving Doors | ||||
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The legends of King Arthur
are
Pelleas: |
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| November 2007 | ||||
| Memories of Three | ||||
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In a Place of Uncertainty What happens
to the world around you, when someone you love becomes a distant
memory? Choreography: Chris
Clow |
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| photo by Monica Castenetto 2006 | ||||
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Human Echo An atmospheric study of home, of memories of a visual landscape & thoughts about the environment we now find ourselves in. Drawing on personal memories and experiences alike, layers of textures and moods are presented to the viewer by moments of stillness and thought. Choreography:
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Somewhere Between a Self and An Other This is a performance based on a
lengthy experiment which combined self exploration & movement research
with aspects of Lacan
Choreography:Hagit
Yakira |
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| Accompanied by a photographic exhibition by Julia Burstein | ||||
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Burstein’s dance photography evolves from her experience both as a photographer and a dancer. She photographs the performing arts, collaborating with choreographers and dancers, creating still images that convey not just the physical aspect of the performance, but the experience as a whole, comprised of all senses; the rhythm; the space; the relationship between the dancers; the relationship between dancers and space; watching the dancers, witnessing the moment, translating and capturing the essence of a transitory creation. |
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| October/November 2007 | ||||
| Behind the Mirror | ||||
| by Theatre Ad Infinitum | ||||
| “A well executed slice of light entertainment” Total Theatre | ||||
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Man loves Woman, Woman loves Man - but Man has a mirror image, hell-bent on ruining everything...A fast, comic and touching love story - without words - by this Le Coq-trained company. Directed & conceived by George
Mann Behind the Mirror has an Edinburgh run this year: |
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| photo by Adeline Ishiomin | ||||
| October 2007 | ||||
| Uncle Barry | ||||
| by Grey Light Productions | ||||
| A new comedy by Cameron Mackintosh Award-winning writer Sam Thomas | ||||
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“Every man has a potential moustache. It's just that I've embraced the potential” Barry is unemployed & angry at the goings-on at the Neighbourhood Watch. This time he thinks he has the answer. Barry has decided to set up his own state. In a pathetic attempt at living-room nation-building, Barry enlists the help of his best friend Mickey and his nephew Pecks, who is brought in to oversee matters of national security. With no idea what they're doing, and no future thought beyond the opening ceremony, this three-man attempt at democracy results in flags being made, anthems being sung and life-long friendships being tested… “We - Michael Jeremy Davis and Barry NoMiddleName Parfitt - I'm not going to tell you what will happen. But what I will say is this: I've hired a heavy” Directed
by Georgina Guy Supported by Unity Theatre Trust |
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| September 2007 | ||||
| Shall I Kill Mama | ||||
| by Marysal
Productions
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| A bitter-sweet comedy by Trevor Thomas | ||||
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- I’m dying Bunter. Just a
matter of when.
“A Mama wants to die. She needs her son’s help. He should help, plain and simple. It’s his duty. What’s all this about motivation? I wanted a son, I get Hamlet…” Directed
by Anton Phillips |
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| July - August 2007 | ||||
| Tea is Essential at Afternoon Meetings | ||||
| by Team | ||||
| “The innovative design group Team.” The Guardian | ||||
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A selection of self-initiated projects including: A proposal to the British Wind Energy Association to establish the image of wind-farms as a quintessential part of the British countryside; An advertising campaign called 'Boycott Oxfam'; A soundtrack for the east of England; A series of products that answer needs generated around the cigarette break phenomenon; The Vending Machine Project: a vending machine that makes you consider whether it should be your responsibility to put the good of society above your own interests. |
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| Writers at Work | ||||
| Werfel VS Odets | Los Angeles
1943:
Franz Werfel has written a play based on his personal experiences in exile
from the ever increasing expansion of the Nazis. The United States Theatre
Guild brings in former-leading
Writer: Michaela
Ronzini |
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| Good Hands | A child is taken away from its
family. Better off? Or in
some imaginable danger in the hands of people that think they know
best? Writer: Emily
Hunka |
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| God Explodes Laughing | Part love story, part dreamlike soul-searching, God Explodes Laughing invites us to consider free will versus predestination through the lives of Udi, an Israeli photographer who lost his legs as a young soldier and Lora, a British news reporter who travels the world telling other people’s stories instead of living her own. Writer:Dorit
Makleff |
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| The Defence | A young
man is accused of killing a police officer, but after the dust has
settled, who is really on trial? Writer: Duncan Gates |
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| Experiments with Chai | A group of friends reunite after ten years and discover how differently their lives have changed. What painful secrets are shared over a cup of ‘Chai’? And what courageous choices have to be made? Writer: Serena B Robins |
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| June 2007 | ||||
| Not Knowing Who We Are | ||||
| by The Ugly Tree | ||||
| “an intriguing piece of theatre” Time Out | ||||
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A man sets out to learn the art of conversation. A girl sets out to find her father. A mother has a box with two keys. Kevin has a spare room and a photograph no-one wants to see… Writer: Maggie
Drury |
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| Everything Is Different | ||||
| by Aranea | ||||
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In
1929, Hungarian author Frigyes Karinthy published a volume of short
stories entitled Everything is Different. Inspired by the tale Chains or Chain-Links - where the characters believed that any
two individuals could be connected through at most five acquaintances -
this evening of music, dance & visual art looks at the
simple connections we make in everyday life, magnifying these points to
find beauty in the details.
Dance: Aranea (with music by Lucy Forde and
choreography by Charlotte Spencer), |
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| 35 Cents | ||||
| by Crying in the Wilderness Productions | ||||
| A Political Satire Written & Directed by Paul Anthony Morris | ||||
| “Fluid, fast-and-loose theatre, that asks questions none of
us can avoid: are power & principle mutually exclusive?” Time Out |
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It's election time on the romantic Caribbean Island of Jamaica. The campaign has, however, been completely overwhelmed by extreme apathy & disillusionment. Fatigued by the ever increasing levels of poverty, debt & corruption, a new student organization called the 'No Confidence Movement' emerges in an attempt to lead the electorate on a national boycott of the general elections. With various bilateral and multinational interests now at stake, a US-led military invasion is initiated to neutralize growing support for the boycott. It is from within this cauldron that the students of the 'No Confidence Movement' take us on a frenetic journey that will ultimately determine the political future of their island . Designer: Clary Salandy Supported by ARTS COUNCIL ENGLAND |
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| Springheeled Two | ||||
| Dance & multi-media works that engage, entertain and inspire… | ||||
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Fish in a Bowl/Anthony Kurt: Iisa Ilona Jäntti: Levantes Dance Theatre/Eleni Edipidi: Etta Ermini Dance Theatre: Rosalind Noctor
& Martha Moopette: Cathy Seago & Dancers: |
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| April 2007 | ||||
| The Inhabitants of the Moon are Noses/ Diary of a Madman |
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| In Extremis & Stepping Out in association with Group Z | ||||
| “A diverting evening” Time Out | ||||
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Do noses really live on the moon?
The Inhabitants of the Moon are Noses/Diary of a Madman explores the thin line between imagination & madness, with a double-bill of Nikolai Gogol’s dark, hilarious masterpiece & Steve Hennessy’s new play about Gogol’s life. Director/Lighting Designer: Andy Burden |
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| March 2007 | ||||
| Weights | ||||
| by Merco Productions | ||||
| “An island
nobody ever leaves, the
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| "An affecting snapshot of life in the final days of Castro's Cuba" TIME OUT | ||||
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Cuban-American writer Jesse Quinones charts a day in the life of a slum estate in
Cuba: a tropical idyll where the sun never sets, or a stifling prison where the days never end? Directed
by David
Mercatali |
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| December 2006 | ||||
| Tales from Mumbai | ||||
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An acrobatic production with an all-male cast with tales exploring metro-sexuality & the need for spirituality and hope in the harsh tough world of Mumbai. Directed
by Serena B. Robins |
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| © www.carolinemarks.com | ||||
| November 2006 | ||||
| 22 Death Scenes | ||||
| by Jumbled
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| An exploration of how popular culture invades our real life stories. | ||||
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We don't want to die but we know people who have. We'd fight for you, we'd lie for you, you know it's true, everything we do we do it for you. Before your very eyes, Jumbled will die not once, not twice, but 22 times. Watch us as we meet our ends simply, quietly, loudly, gloriously, haltingly, beautifully. Listen as we tell you about the scenes we wished we had seen, and play you the music we wished we had heard. Sob as we breathe our last breath, scream as we are mercilessly butchered, gasp as we escape unscathed only to be gunned down at the last minute. Jumbled look to harness the power of autobiographical material and direct address, and explore placing this in the context of richer visual and theatrical worlds. Through ongoing collaboration with sound-maker Nick Gill, Jumbled closely links live sound with action, to create a multi-layered experience. Performed & devised by Lucy Foster, Nick Gill,
Kirsty Lothian & Mike Tweddle |
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| October 2006 | ||||
| UK Premiere, following a successful off-Broadway run | ||||
| Angels Don't Dance | ||||
| by Richard Brockman | ||||
| “Vivid illustration of how mental illness must look & feel from the inside … Mirra Bank does an exceptional job at directing” The New York Times | ||||
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In the psychiatric unit of a large urban
hospital, Dr Jones conducts a first interview with Jamie:
"Am I broken?" But things are not so straightforward. Unseen to Jones, Jamie is
shadowed by Angella, a second personality you wouldn't wish on your worst
enemy...
A practising psychiatrist, Brockman’s play is based on true
accounts. His work was included in the Samuel French Best Short Plays of
2001 & 2005.
Director: Mirra Bank |
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| Hazmat & Me | ||||
| by Demonstrate | ||||
| The tricky marriage of science and morality
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Just
after the end of the world, a lonely survivor clings on to better times
with a bicycle-powered reading lamp and a dusty old gramophone. He's fed
up, he's had enough and he's ready to die.
So
it's a shame that his friend Hazmat, an eight-foot radiation suit with a
penchant for mischief, is having none of it. Hazmat has a different take
on the man's past and won't let him go before he's made to face the
truth...
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